Granada Bedford CollageThe Granada Theatre Bedford during the days of the Second World War
Top Right: Both American and British Servicemen are seen walking past the theatre, and if you look carefully, a Granada Sergeant is on duty and standing at the entrance.
Bottom Right: poster from a 1960s Stage Show





The Granada Theatre Clapham Junction was advertised at the time of building as Your New Wonder Cinema and was the largest and grandest of theatres/cinemas in the Clapham area.  It seated a questionable number, but was most likely 2,475, making it the third largest Granada Theatre built after those of Tooting and Walthamstow.

Unfortunately I never had the opportunity to visit the Granada Theatre Clapham Junction when it functioned as a theatre or Bingo Club.  However judging by the photographs that I have seen of its exterior and the interior, it is clear that everyone involved with its building did an excellent job and produced one of the great theatres of its time.  In addition, I have not yet had the joy of visiting the building now that it has been converted into apartments and a conference centre, but again, judging by the photographs I have seen, it has been converted and restored by a dedicated group of artisans who undertook their work with both dedication and the greatest of care.

Granada Clapham Common CollageGranada Theatre Clapham Junction
Top Left: while being built;
Bottom Left: the auditorium with the Wurlitzer Organ
This photograph appears with permission of Mr. Robert Plummer
Right: exterior view in the late 1960s


The Theatre opened in November 1937 with the Duchess of Kent present and with Victor McLaglen as the guest of honour.  Apparently the crowds waiting outside the theatre, which included a thousand school children, and totaled over four thousand.

Duchess CollagePrincess Marina, Duchess of  Kent (1906-1968) presenting Doris Hart (Right)
with the   winner’s   trophy   at the The All England Croquet and Lawn Tennis Club in 1951

Victor McLaglen CollageVictor McLagen

The crowd evidently swelled into the street causing the traffic to come to a halt making it necessary for the traffic lights to be switched off.  To placate the crowd, the Trumpeters of the Scots Guards were brought out of the theatre to entertain them before returning to take part in the opening ceremony, which also included Bobby Howell & His Band and several pieces played on the Wurlitzer Organ by organist Donald Thorne.

Scots Guards CollageThe Scots Guards


The theatre opened with the screening of two films, History is Made at Night with Charles Boyer and Jean Arthur and Mr. Stringfellow says No with Neil Hamilton and Muriel Aked.  Seemingly, there was no tableau vivant this time around.

Opening Film CollageLeft: Film Poster; Middle: Jean Arthur; Right: Charles Boyer

Mr. Stringfellow says No CollageLeft: Muriel Aked; Right: Neil Hamilton


The Bernsteins chose Leslie C. Norton and H.B. Horner together with Cecil Audrey Massey as architects for this remarkable theatre.  The theatre was built at the corner of a major and minor road.  This allowing the entrance and canopy to be curved rather like that of the Phoenix Theatre on Charing Cross Road.  The facade was in Art Deco style with a number elongated windows separating the canopy and the Granada name in huge letters above.  Stretching around the major road (St. John’s Hill) was the cafe-cum-restaurant over the entrance and multiple dressing rooms and fly tower at the rear.

From Cinema Treasures - Clive B.The Granada Theatre Clapham Junction during the early 1950s
This photograph appears with permission of Mr. Clive Polden of the Cinema Theatre Association

Granada today - Lumiere - with borderThe Granada Theatre today as Transformation House and Lumiere Apartments

The interior was decorated in Italian Renaissance style by Theodore Komisarjesvky who gave it a more lavish look compared to the Standard Granadas being built at this time.  However, although it has a lavish look, its lavishness is not as obvious as it was at the Granada Theatres Tooting and Woolwich.  According to Allen Eyles in his book, The Granada TheatresMr. Komisarjevsky was ill at the time of building in Switzerland.  Seemingly he was not allowed to talk at this time and when contacted for consultation, query resolution and instruction, he communicated via his doctor.  Looking at the auditorium, this method of communication evidently did not hinder his contribution to the magnificence of the building.


Entrance to the theatre were through doors on the corner of the building.  The entrance led into the outer foyer where an island box box was found.

Outer Foyer CollageThe Outer Foyer as it was & as it is today
Left: as it was showing the island Pay Box;  
Right: as it is today with an information desk having replaced the Pay Box 
This photograph appears with permission of the photographer, towell_p


The outer doors led into an inner foyer that was extremely tastefully decorated with small delicate chandeliers and a staircase leading up to the promenade at the balcony level.  In addition there were stairs leading up to the cafe and a cloakroom tucked away under the stairs to the balcony.  The walls were covered with mirrors to help give the impression of space.

Inner Foyer CollageThe Inner Foyer as it was & as it is today
Top Left: the staircases, as they were: the one at the far end leading up to the circle and,
the  one on the left,  leading up to  the  lounge-cafe.    
The cloakroom is seen between  the   two  staircases.
Top Right: as it is today: the Inner Foyer is currently being used as a reception area;    
note the stairs to the erstwhile circle  are present
whilst those to the lounge-cafe have been closed off, as has the cloakroom.
Bottom: view of the Inner Foyer, as it is today looking towards the doors leading
to the Outer Foyer and showing the circle promenade above them.
These photographs appear with permission of the photographer, towell_p

The Inner Foyer during its Bingo Days CollageThe Inner Foyer after the theatre’s Bingo Days came to an end
The chandeliers are in the colours of the Bingo Company;  note the graffiti on the walls
Left: the Island Pay Box may be seen through the doors in  the  Outer Foyer    
Right: the entrance to the stalls is seen on the right and a one-time information kiosk
is seen adjacent to the stairs to the balcony
These photographs are reproduced with permission of the photographer, Mr. Gary Painter

granada15The Inner Foyer showing one of the Chandeliers in the colours of the Bingo Company  
This photograph appears with permission of Mr. Robert Plummer


The ceiling of the auditorium over the circle was coiffed and highly decorative.    There were four small chandeliers in the same design as those of the Inner Foyer hanging from this area of ceiling.

CTAThe Ceiling of the Auditorium over the Circle as it was  
Note the four chandeliers of similar design to those present present in the Outer Foyer
This photograph appears with permission of towell_p

Ceiling over the Circle 2 - Copy smaller

Ceiling over the Circle once Bingo left - smallerThe Ceiling over the Circle following the theatre’s Bingo Days  
Note the graffiti on the rear walls of the stalls and the removal of the seating.
These photographs are reproduced with permission of the photographer, Mr. Gary Painter

There is a central chandelier over the front stalls, which is surrounded by a decorative Rondel, was decorated during the Theatre’s Bingo Days with the colours of the company.

Chandelier and rondel
Main auditorium candelier and rondelThe Central Chandelier & Surrounding Rondel  
These photographs are reproduced with permission of the photographer, Mr. Gary Painter


Circle seating consisted of front and rear areas separated by a walkway.  The rows are arranged in undulating rows, which is indicative of Cecil Audrey Massey’s impute.  The circle walls are punctuated by a series of small roundheaded back lit faux windows arranged in pairs.  Entrance to the circle is from the back of the auditorium with stairs leading down at the side walls and centre.

CircleCircle Seating, as it was   
This photograph is reproduced with permission of the photographer, Mr. Gary Painter

Circle Seating Collage 1 Circle Seating, as it is   
These photographs are reproduced with permission of the photographer, towell_p


The Proscenium Arch and side panels are simpler than those at the Granada Theatres at Tooting and Woolwich.  However it is nonetheless impressive.  The Proscenium is flanked each side by a stout fluted Corinthian pilaster decorated in gold and deep red, which are joined by a repeating series of what look like golden struts or pegs that stretches across the stage.  There is no crown-like structure in front of the Proscenium, as there is at Tooting and Woolwich.

granada2The Auditorium with the Wulitzer Organ at the time of Opening
This photograph appears with permission of Mr. Robert Plummer

From Cinema Treasures - Clive B. 2The Stage & The Proscenium, as they were   
This photograph appears with permission of Mr. Clive Polden of the Cinema Theatre Association

The stage and procenium CollageThe Stage & The Proscenium, as it is (Left) from the stalls & (Right) from the circle
These photographs are reproduced with permission of the photographer, towell_p


On either side of the Proscenium are side panels (splays) that project back to the circle where they end at another stout fluted Corinthian pilaster.  To my untrained eye, the decoration of the side panels seem almost ecclesiastical in appearance.  Each panel consists of two grilles separated by a classical style painting with a frieze beneath consisting of a repetitive design.  The same frieze is present above the panel at the Cornice and extends over the Proscenium.  Unfortunately I can find no information about either the painter or what the paintings depict except that they each depict women in a semi-nude state and in repose.   In the painting on the right, there is also a musical instrument.

The Left Splay Collage (Gary - top right)Left: The Left Splay, as it is today; reproduced with permission of Mr. Gary Painter
Top Right: The Left splay, as it is … in full
Bottom Right: The Left Splay in detail; reproduced with permission of towell_p

The Right Splay Collage (Gary - left)Left: The Right Splay, as it was: reproduced with permission of Mr. Gary Painter
Right: The Right Splay, as it is today: reproduced with permission of towell_p


The Theatre was fitted with a Wurlitzer Organ and it was played a number of times for emission on BBC Radio.  Reginald Dixon played it when he toured the Granada Theatres.  At the time of the theatre’s closure, the organ had been sold and is now installed in a hall at the Collège Claparède in Geneva, Switzerland where it remains.  Apparently the Organ is in working order and is played regularly and has a Society of Friends of the Organ who contribute to its upkeep.

granada.6The Granada Theatre Clapham Junction’s Wurlitzer Organ
This photograph appears with permission of Mr. Robert Plummer



The College red.The Collège Claparède

In April 2016, the organist Simon Gledhill, was invited to Geneva to play the erstwhile Wurlitzer Theatre Organ of the Granada Theatre Clapham Junction, now installed at the Collège Claparède in Geneva.

Mr. Gledhill was kind enough to offer the following reflections of the Theatre Organ:

SG at Console red.

As you know, the Clapham Junction Wurlitzer was one of six essentially identical Granada 2 Wurlitzers.  However, to my ears, it had a sound in the theatre which set it apart from the other five on recordings (I never heard it there live, unfortunately).

The under-stage installation at Clapham Junction was unusually effective, projecting the Organ sound into the auditorium clearly and at room-filling volume, with excellent bass development and a rich, if somewhat aggressive, ensemble.  The English Horn was loud and bright, the Saxophone ditto, the Tuba had a slightly nasal quality, and the tremulated Tibia was also distinctive.  Organists used to love to play there because they could hear the Organ clearly and in perfect balance from the console, and it was fast, responsive and jazzy.

The Console red.The Wurlitzer Theatre Organ at the Collège Claparède

At Collège Claparède, even though the Organ now speaks into a very different (and smaller) room, it has retained many of these qualities, and I was delighted to find that the general effect was still instantly recognisable as that of the Clapham Junction Wurlitzer.

Auditorium red.The Auditorium of the Collège Claparède

The Organ is maintained professionally and its condition is, overall, good.  Some of the chests need leather repairs and this is in hand.  The stop layout has been revised to accommodate stops-keys for two additional ranks – Clarinet and Vox Humana – which were prepared for on the console some time ago but have not been installed.  The stop actions are now all-electric and the combination action (piston setter) is now electronic, with eight general pistons – no divisionals – and multiple memory levels.  A Rönisch grand piano plays from the organ console.  The effects department has been expanded by the addition of a Crockery Smash (a copy by Bernard Dargassies of the one in the ex-Gaumont-Palace, Paris Christie Organ, now at the Pavillon Baltard in Nogent-sur-Marne).

Main Chamber CollageSome of the Ranks in the Main Chamber

The Clapham Junction Wurlitzer is, in its current home, a most enjoyable organ to play, and the team now responsible for it – the Association of Friends of the Collège Claparède Cinema Organ (President: Nicolas Hafner) are to be congratulated on their energy, enthusiasm and custodianship of this fine and historic instrument.

Simon Gledhill


The Theatre seems to have been a success and offered two films together with a number of variety acts for a number of years.  Evidently there was competition from the Grand Theatre, which was close by on St. John’s Hill, but was closer to Clapham Junction.  The Grand also showed films together with numerous variety acts presented.

The Grand Theatre CollageThe Grand Theatre, St. John’s Hill, Clapham Junction


One of the highlights in the history of the Granada Theatre Clapham Junction took place on the evening of the 31st October, 1938 when the theatre hosted the Gala Charity European Premiere of the film, Letter of Introduction, in the presence of the Duchess of Kent.

The Gala was in aid of the Queen Elizabeth Children’s Hospital on Hackney Road, which I knew well as a child and is currently on the verge of demolition to make way for apartments despite great efforts to save it by many supporters.  The Duchess of Kent had been a nurse, known as Sister Kay during the Second World War, and maintained her interest in nursing practice throughout her life.

Children's Hospital CollageTop Left: The Duchess of Kent reviewing Wrens in 1940; Top Right: film poster
Bottom Left: main entrance of the Queen Elizabeth Hospital for Children, Hackney Road


Although the theatre was seemingly a success, the same can not perhaps be said of its cafe-cum-restaurant, as it closed permanently in 1940.



When I moved to Slough in 1956 and discovered first-hand several cinemas of the Granada Theatre Circuit, I remember noticing something of interest in the forecourt of the Granada Theatre on Windsor Road.  This was its Pavement of the Stars, an attempt to mimic the hand- and footprints together with signatures of film stars in cement found in the forecourt of Grauman’s Chinese Theatre in Hollywood. (In January 2013, the theatre became known as the TCL Chinese Theatre since the naming rights had been sold to TCL Corporation).

Apparently during the early 1960s, the managers of the Granada Theatres at Tooting and Clapham Junction wanted to have their own Pavements of Fame.  According to Allen Eyes in his book The Granada Theatres, the Granada Theatre Clapham Junction obtained the hand- and footprints of Bette Davis and Gary Merrill.  However, these were never placed before the theatre and where these are now is unknown.  Mr. Eyes also says that if any of these pavements, presumably from any of the Granada Theatres, is unknown.  This is not entirely true, as I have tracked down some of those formally of the Granada Theatre Slough This subject will be returned to  later.


The Granada Theatre Clapham Junction, like all cinemas suffered from a decline in ticket sales as television gained more and more of a stronghold on the public.  In an attempt to combat falling ticket sales by increasing the number of films on offer, the theatre was was tripled in 1973.  

Dusashenka - after triplingThe Granada Theatre Clapham Junction following Tripling 
This photograph is reproduced with the permission of the photographer, dusashenka

Of the three screens on offer, the largest was the original circle.  Two smaller screens were constructed in the rear stalls beneath the circle.  Despite this effort, the theatre’s fortune did not fair better and all three screens closed on the 5th July, 1980.  Sadly, the quality of the films being shown at that time were less than stellar with Zombies, Dawn of the Dead being the last feature to be shown in the main auditorium.  Double features of further-less-than-sterling offerings were the last presentations shown in the smaller screens.

Following the closure of the theatre, it was returned to its original one auditorium and opened as a Granada Social Club soon afterwards.

Dusashenka - as a Bingo ClubThe Granada Theatre Clapham Junction as a Granada Social Club
This photograph is reproduced with the permission of the photographer, dusashenka

This continued until May 1991 when the venue was taken over by Gala Bingo.  Gala Bingo was formed at this time when Bass PLC purchased Granada Theatre Ltd’s Social (Bingo) Clubs.  

Despite being under new management, the Gala Clapham Junction was closed on the 22nd December, 1997.  The building remained empty without use for a number of years.  During this time, it was broken into and was the site of illegal raves where some damage was done to the building.  Later it was inhabited by squatters.  Without doubt, a tragic time and fate for so illustrious and beautiful building.

In April 1998, English Heritage granted the building a Grade II listing, which was further upgraded to Grade II* in August 1999.  Despite this honour, the building remained closed.


Various proposals were discussed as to what to do with the building. These including its re-opening as a theatre, a church, a bar and so forth.  However none of the proposals were approved by the authorities.  Finally the proposal that was accepted was one whereby the theatre (foyer and auditorium) would be converted into a church-cum-conference centre and where a number of apartments would be suspended above the theatre with additional apartments being built in the erstwhile fly tower.

The former foyer and auditorium underwent conversion to a church-cum-conference centre and opened in 2012, as Transformation House.  The apartments suspended above are known as Lumiere House.

As it was, as it is - CollageAs it was (Left) ……. As it is (Right) …….. Transformation House & Lumiere House

To my eye, the Centre together with the apartments make for an attractive combination and judging by the photographs on their websites, the apartments look great and the auditorium and foyer, now fully restored, look once again spectacular. Let us hope that this conversion-cum-restoration will inspire others to re-evaluate what can be done with other such wonderful buildings so that they may live on and not remain empty and decay to the point that they either fall down or else need to be demolished.


In November 2014, I was fortunate enough to be given a tour of Transformation House by Mr. Mark Featherstone.  I was given free-range to photograph the building and those that I took may be seen by:


The Rondel and Central Chandelier of the Restored Auditorium


Recently I received an email from someone who passed by Transformation House on a visit to the old Battersea Town Hall on Lavender Hill.  Here is what was contained in the message:

Battersea Town Hall had been ravaged by fire about a year ago and the authorities were now holding a small exhibition there to show the plans and architects’ models for the re-constructed Grand Hall.   It seems that the project is well on-track.  Walking past the former Granada Clapham Junction,  I noticed that the shop units on the St John’s Hill frontage have now been let to an upmarket furniture retailer.

1a & 1b Collage(Left) Entrance to Lumiere Apartments & (Right) Raft Furniture

On my previous visit to the building to the Cinema Theatre Association-UK (cta-uk) annual meeting, these units were empty.  Looking back to my childhood in Battersea, I can remember a single opening being made here for a Miss Candy sweetshop, which must have been during the mid 1950’s.  Later, I seem to remember a Granada TV Rental shop opening here.

It’s really good to see such a wonderful 1930’s Theatre building being saved with its interior now expertly renovated back to – as far as possible – it’s original decor.  I know its primary use is as a church, but I do hope that the local community use it for school prize days and amateur theatrical presentations.  It’s a wonderful resource.

Peter Towell



I would like to thank Mr. Simon Gledhill for his comments and photographs of the erstwhile Wurlitzer Theatre Organ of the Granada Theatre Clapham Junction currently installed at the Collège Claparède, Geneva.

I wish to thank Mr. Peter Towell for allowing his comments and photographs to appear here and also Mr. Robert Plummer for allowing his photographs to also appear.

Finally, I would like to thank Mr. Mark Featherstone for taking me on a conducted tour of Transformation House and also to the staff of The House for allowing this tour.






  1. Paul Bland

    Another theatre I should have visited, with a Wurlitzer that obviously stood out from the other Granada specials. It is good the building survives, but a shame the organ had to emigrate. This is another deeply-researched piece with a wealth of contextual detail which shows, yet again, what a significant contribution the Super-Cinemas made to the lives of the communities in which they stood. The set of pictures on flickr added further breadth; it always amazes me how far the care and detail extended into the buildings themselves. I know how long you spent in compiling the piece and I’m sure I will not be the only reader grateful that you did.


Leave a Reply

Your email address will not be published. Required fields are marked *