THE CHRONICLES OF
HER GRACE THE DUCHESS
Frank Sinatra (1915-1998) with arrangement by Billy May (1916-2004) – Come Dance with me
Recorded in 1958 and written by Sammy Cahn (1913-1993) & Jimmy Van Heusen (1913-1990)
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7: IF DUCHESS WERE A DUCHESS
A FAIRY TALE FOR
THE YOUNG AT HEART
PART 5
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To aid the reader of this tale, what follows is the cast of principal characters:
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When the Princesses Eugénie and Louisa, along with their Chaperone, entered the Ballroom, Prince Anatole quickly re-introduced himself to the group and asked if could accompanied them back to their parents. Once there, the Chaperone introduced Prince Anatole who proved an exceptionally good conversationalist and managed to charm Prince Karl, and even Princess Caroline to some extent. He then requested that he be allowed to dance with Princess Eugénie. His request was granted and after he had bowed slightly to those present he offered his arm to the Princess who was secretly thrilled to be asked.
Audrey Hepburn (1929-1993) & Mel Ferrer (1917-2008)
in a scene from the 1956 Production of War and Peace directed by King Vidor (1894-1982)
The Masquerade Waltz from the Film written by Aram Khachaturyan (1903-1978)
Once on the floor, they made a handsome couple and were noticed by many, and as they danced, the Chaperone who could see that something special was happening between the young Prince and Princess. And so it was! Without speaking their beating hearts told them that this person, who they did not know, and whose hand now held theirs, was someone special ……. someone who would prove to be someone very special!
They glided across the floor, lost to everyone except to each other. And then, seemingly, quite suddenly, the music stopped. Each would have hoped that the music could have continued for longer and so their dance!
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Ella Fitzgerald (1917-1996), Louis Armstrong (1901-1971) & The Oscar Peterson (1925-2007) Quartet – Cheek to Cheek – Written in 1934-1935 by Irving Berlin (1888-1889)
From the album, Ella and Louis, recorded in 1956
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The Prince was the first to realise that the music had stopped. He mumbled something about the need to escort the Princess back to her parents, but neither moved while continuing to stare into each other’s eyes. And what only seemed like a mere second in time to the young couple, they eventually made their way across the floor where they were met by the Chaperone, who whispered to Anatole that he had to ask to dance with Princess Louisa immediately! She also told him that she would explain her behaviour later if he would meet her in the garden once he returned Louisa to her parents. For some unknown reason, neither he nor Eugénie questioned her apparent strange request.
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The Chaperone was most fearful for Prince Anatole, as she knew that the Grand Duke had other spies present and that he would soon hear of the undeniable attraction between Anatole and Eugénie since anyone with an iota of sense could see that each was falling under the spell of the other.
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After Prince Anatole had escorted Princess Louisa back to her parents following their dance, he made his way to the garden where he found the Chaperone seated. She quickly came to the point of her need to speak to him. She told him that the Grand Duke had decided that the Princess Eugénie would become his wife and he would look very unkindly on anyone that interfered with his plans. Anatole smiled and said that she must be mistaken since the Grand Duke was older than the Princess’ father! The Chaperone said that his previous wives had been of a similar age to the Princess and that all he was interested in was the bearing of a son!
The Chaperone continued by saying that Prince Anatole needed to end any idea of a relationship with the Princess, as the Grand Duke was of a jealous and vengeful nature and that he would no doubt come to a nasty end if he caused the Grand Duke’s plan to go astray! She said that she could arrange a meeting with the Princess and himself in the Alexander II Park (known since 1954 as the Taras Shevchenko Park of Culture and Recreation) at noon the next day so that he could end all notions of his continuing any relationship with the young Princess. With that, and without waiting for an answer, the Chaperone stood up and walked away towards the Ballroom.
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Of course, the unanswered question that has now arisen is why did the Chaperone go against the Grand Duke’s wishes and allow Prince Anatole to know of the dastardly plan? It would seem that when she was young, she had once been in love with a young officer whose parents took him out of the country when they learned of his relationship with her. The Chaperone was devastated by this and was destined thereafter to be a governess and now a paid informant. Neither employment pleased her, but she had little choice now in the choice of her profession.
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Calf Love is understood to be a temporary, often fleeting, infatuation or romantic attachment, particularly during adolescence. However, not all examples of young love can be dismissed so easily, as history and real life often show.
Dolly Parton (1946) – Puppy Love
The Americans call Calf Love, Puppy Love and define it as an infatuation usually developed by someone’s looks and attractiveness at first sight. It is named for its resemblance to the adoring, worshipful affection that may be felt by a puppy.
The Dogs in the Left Lower Corner are Dogs that find explosives AND therefore risk their lives for humans.
What people forget is that once a puppy develops an adoring, worshipful affection, it lasts for the dog’s lifetime! Sadly, we are unable to say the same for all adoring human relationships, can we?
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After the Ball and once back in their apartment, the Princess Eugénie’s thoughts were whirling around in her mind. The same was true for Prince Anatole. Eugénie was confused. She was happy one minute and totally depressed the next. Nothing seemed real to her, nothing except for Anatole. Was this how one felt when one was in love, she wondered? She wanted to dance, to laugh and also to cry all at the same time!
I Could Have Danced All Night (1956) – sung by Julie Andrews (1935)
with Philippa Bevans (1913-1968) – From the musical My Fair Lady
Written by Alan Jay Lerner ( 1918-1986) & Frederick Loewe (1901-1988)
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She had to speak to someone about her feelings. She asked to speak to her mother. Within minutes, the young Princess began to pour out her heart and tell her mother of her feelings for Prince Anatole. She was on her knees by her mother, and once she started to speak, she quickly burst into tears and became inconsolable and buried her face in her mother’s lap.
Princess Caroline understood her daughter’s feelings and allowed her to cry, as she stroked her hair. After a while, Eugénie’s crying lessened and her mother said that she needed to go to bed and rest and that they could discuss things in the morning when she might see things more clearly. Princess Caroline said that as hard as it might be to understand, problems often look different the next day.
Despite these words of wisdom, Princess Caroline knew that her daughter’s woes would probably not look different the next day. Although she could dismiss her daughter’s feelings as Calf Love, somehow she knew that this was not the case. Her daughter’s words had brought back memories of events from her past when she was young and fell in love for the first and only time. And it worried her to think that Eugénie, being very much like her, might very well have a difficult future in store for herself.
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THE CHRONICLES OF HER GRACE THE DUCHESS
8. IF DUCHESS WERE A DUCHESS – A FAIRY TALE
PART 6 – THE RUSSIAN STORY – THE PROPOSALS
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THE CHRONICLES OF HER GRACE THE DUCHESS
6.IF DUCHESS WERE A DUCHESS – A FAIRY TALE
PART 4 – THE RUSSIAN STORY – THE GRAND BALL
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PAGE THIRTY-ONE: IN MEMORIAM
CASANOVA/PUPPY 14th JUNE, 2010 – 25th MAY, 2024
LIFE WITHOUT CASANOVA/PUPPY
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This is such a romantic story! Of course, the music and images heighten the effect and we’re left holding our breath and rooting for these lovers. How will they ever resolve this situation, unless the Grand Duke conveniently drops dead?
I adored the collection of puppy love photos. It’s true that our pets are capable of a lifelong unconditional love that is hard to encounter between humans.
I was so enchanted by the initial painting of the dancers that I searched for it and learned for the first time of the French artist, Jean Béraud. I always learn something new reading the Stories of London!
By the way, the Masquerade Waltz was beautiful and I didn’t notice any problems with the quality.